SNOW WHITE
There’s no shortage of classic stories and characters getting a genre twist next year - Jack The Giant Killer, Mirror Mirror, Abraham Lincoln: Vampire Hunter, Hansel & Gretel: Witch Hunters - but this is the one that's started to emerge from the pack as the one to watch. A really impressive maiden trailer certainly helped there (contrast it with Mirror Mirror's if you want to see how these things can go wrong), which showed just what Kristen Stewart can do away from the Twilightfranchise.
The rest of the cast is hardly shabby, though, with Charlize Theron, Ray Winstone, Toby Jones, Bob Hoskins, Eddie Marsan and Ian McShane suggest a depth to the company that serves the film well (it's comfortably one of the best casts of the year). And the screenplay? Co-written by Hossein Amini, as it happens, who penned the script to Drive.
There's real pedigree here, and what we've been allowed to see thus far suggests there's a good film underneath it all. In a year seemingly full of subverted fairy tales on the big screen, this (orJack The Giant Killer) looks set to be the one that rules them all...
THE PIRATES: IN AN ADVENTURE WITH SCIENTISTS!
You wait five years for an Aardman movie to arrive, and then two turn up within six months of each other. We really enjoyed CG-feature Arthur Christmas, but it’s Aardman’s first stop-frame animated movie since Wallace & Gromit: The Curse Of The Were-Rabbit that is already shaping up as the family movie to beat in 2012.
Everything we’ve seen of the film thus far demonstrates a lavish attention to detail, a steadfast sense of character, and a style and wit that few of 2012’s releases look set to be able to hold a torch too. It helps that the expertise of Peter Lord – creator of Morph, director of Chicken Run – is calling the shots on the film, but there’s more to The Pirates than that.
This is a massively ambitious production, about a Pirate Captain who’s trying to win a Pirate Of The Year competition despite the fact that he’s generally a bit rubbish. This lays a platform for Aardman to not only showcase its unparalleled craft, but to put together a funny, warm family adventure (it's already looking like one of 2012's funniest).
It might not prove to be the biggest animated hit of 2012 (it doesn’t help that the film has a different title on each side of the channel), but its competition will have a job on their hands to beat it for sheer quality. We can’t wait.
Incidentally, it’s also the only film on the 2012 roster that uses the voice talent of Brian Blessed that we’re aware of. Shame on every other film.
THE HOBBIT
It’s almost surreal that The Hobbit movies are finally happening. First, Peter Jackson and New Line were at loggerheads. Then MGM’s bank balance cost the films another year or so. Then, Guillermo del Toro dropped out. And finally - finally - Peter Jackson got cameras rolling on the two films earlier this year.
The first of them, An Unexpected Journey, makes it into cinemas at the end of 2012, nine years after the release of Lord Of The Rings: Return Of The King. It’s testament to how many interesting films are heading our way in 2012 that this ranks fourth in the list, but don’t let that fool you: The Hobbit is a flat-out must see from where we’re sitting.
To have Peter Jackson back in Middle Earth is proof that there is some justice in the world. That’s he recruited so many of the talented people who brought Lord Of The Rings to the screen could also provide a vital constistency. The even better news? There’s another Hobbit film the year after. Expect that similarly high up 2013’s list...
GRAVITY
Anyone who saw the spectacular Children Of Men will know that any film Alfonso Cuarón directs is worth consideration, and, if anything, his sci-fi thriller Gravity sounds even more ambitious than his previous feature.
Starring George Clooney and Sandra Bullock as a pair of astronauts fighting for survival in a crippled space station, it’s been said by those involved that Cuarón’s brought all his skills to bear on this apparently simple story, with the opening 20 minutes reportedly shot in one long, unbroken take. Cuarón’s friend Guillermo Del Toro’s already spoken of his enthusiasm for the film, having told MTV Movies that it’ll push “a new boundary in filmmaking.”
Other than these scant facts, there’s not a lot more we can really say about Gravity, other than that it’s in 3D, and that Clooney and Bullock are the only two actors in it. What we can say, though, is that Children Of Men was a meditative and intelligent sci-fi film with moments of incredible intensity, and we’d be extremely surprised if Gravity was any different. We can’t wait.
THE DARK KNIGHT RISES
Well, y’know.
Christopher Nolan is making what’s almost certain to be his last ever Batman movie, while also looking to prove that it’s possible to make a comic book threequel that doesn’t dip in quality. He’s got his regular cast back - Christian Bale, Morgan Freeman, Gary Oldman, Michael Caine - and recruited Tom Hardy, Joseph Gordon-Levitt and Anne Hathaway too, in a film that promises to close this chapter of Bruce Wayne’s story.
The film has been shot very much in the open, with the Internet creaking under the weight of set videos and photos from observers. And inevitably, it’s led to a cauldron of hype that’s almost impossible to live up to.
Yet Nolan might. The Dark Knight built terrifically well on the excellent Batman Begins, and The Dark Knight Rises is set to try a few different things again. The stories to date have been ambitious, the execution excellent, and Nolan’s Batman movies will be resident in top ten comic book movie lists for many years to come. The Dark Knight Rises? It has the potential to top them all. May Nolan not be away from comic book movies for long...
PROMETHEUS
There are so many reasons to look forward to Prometheus, but we'll whittle them down to just a few for brevity's sake.
First, it marks a return to sci-fi for Ridley Scott, and second, it shares “the same DNA” as 1979’sAlien. Add to that a great cast (including the ubiquitous Michael Fassbender, Noomi Rapace and Idris Elba) and the writing talents of Damon Lindelof, and you have at least the possibility of a fantastic sci-fi film.
Some have pointed out that Scott’s creative bulb has dimmed somewhat of late, but we’re hoping that the visual possibilities the sci-fi genre offers (and let’s face it, Scott’s primarily an image maker rather than a director of actors) will result in the return to form we’re all anticipating.
We’re actually heartened, too, that Prometheus’ makers have played down the film’s links to Alien, because it gives Scott the opportunity to make something other than a modern retread of the original's haunted-house-in-space. What we appear to be looking at is a kind of first-contact sci-fi flick, along the lines of Arthur C Clarke’s novel Childhood’s End or 2001: A Space Odyssey, albeit with an extremely nasty (and presumably acid-spitting) sting in its tail.
Like so many of next year’s highly anticipated films, from American Pie: The Reunion to The Dark Knight Rises, Prometheus could disappoint us all. But then again, the talented people involved could exceed our expectations, and bring us a film that shares Alien’s brilliance as well as its DNA.
We might just be in for one hell of a year...
THE AVENGERS
An already seemingly taken-for-granted part of the 2012 movie blockbuster landscape, The Avengers has sure-fire hit stamped right across it. Captain America, Thor, Iron Man, Hulk and more, all in the same film? What could go wrong?
Well, lots.
We'd wager that no director of a blockbuster right now has a tougher job than Joss Whedon, who has to juggle lots of major characters, put across a threat worthy of uniting them, and leave room in the film for lots of personalities to make a mark. After all, this isn't your traditional ensemble film, where characters can easily interweave with one another. The Avengers sees characters we're used to seeing front and centre now working side by side.
Still, early signs are that Whedon is up to the job. The trailer that's been released is strong, even if it makes the film look more of an Iron Man sequel than The Avengers, and we've met few people who won't be in the queue to buy a ticket as a result. They are in the minority, though.
We have absolutely no doubt that Whedon will take the ingredients here and make a fun couple of hours at the movies. The test? Can he make a genuinely strong blockbuster, one that fully hangs together? It's a good question, and time will tell the answer.
No pressure, but Marvel's movie strategy now seems to hang on this one film...
DREDD
Hasn’t this one been a long time coming?
Since the end credits rolled on the 1995 movie adaptation of Judge Dredd (whether you liked it or not) it feels like we’ve been waiting for someone to come in and do it all properly. This new movie take on Dredd, with a helmeted-Karl Urban in the title role, has the potential to match our hopes.
There have, however, been tales of trouble behind the scenes, which have been refuted. The story ran that director Pete Travis wasn’t involved in the edit, and that writer Alex Garland had stepped in to finish the movie. How much truth there is in all of that is unclear. What is more certain is that Dredd is in the hands of people who really care about it (in fairness, the director of the Stallone take, Danny Cannon, was a massive fan too, but just didn’t have the power at that stage to get his vision across).
It’s on a tight budget, certainly, but Urban looks like fine casting. And we hope it marks the start of a few more big screen visits to Mega City One.
